5.6 - Macbeth
Context and background
William Shakespeare wrote Macbeth around 1606, during the reign of King James I of England, who was also James VI of Scotland. This historical context is crucial, as the play reflects Jacobean concerns about monarchy, power, and the supernatural.
Historical context
- King James I and Scotland - James, a Scottish king, had recently ascended the English throne in 1603 after the death of Elizabeth I. Shakespeare likely wrote Macbeth to appeal to him, setting it in Scotland and exploring themes of kingship and loyalty.
- The Gunpowder Plot - In 1605, a failed Catholic conspiracy to assassinate James I heightened fears of treason and instability. The play's focus on betrayal and regicide (killing a king) echoes these anxieties.
- Belief in the supernatural - Jacobean audiences widely believed in witches and the devil. King James himself wrote Daemonologie (1597), a treatise on witchcraft. The witches in Macbeth would have been seen as real and dangerous forces.
- Divine right of kings - This belief held that kings were appointed by God, and challenging them was a sin. Macbeth's usurpation of the throne would have been viewed as a horrific violation of natural order.
Sources and genre
Shakespeare drew inspiration from Holinshed's Chronicles of England, Scotland, and Ireland (1587), a historical text. However, he altered the story, making Macbeth more villainous and Banquo more noble to flatter James I, who was believed to be Banquo's descendant. As a tragedy, the play follows the downfall of a noble figure due to a fatal flaw, blending elements of history and the supernatural.
Plot overview
Macbeth unfolds over five acts, tracing the tragic fall of a Scottish general driven by ambition to murder and tyranny.
Plot by act
- Act One - Macbeth, a brave general, and his friend Banquo encounter three witches after a victorious battle. The witches prophesy that Macbeth will become Thane of Cawdor and king, and Banquo's descendants will be kings. Soon after, Macbeth is named Thane of Cawdor. Spurred by his wife, Lady Macbeth, he begins to consider murdering King Duncan.
- Act Two - Macbeth murders Duncan while he sleeps at Macbeth's castle. Lady Macbeth plants the daggers on the guards to frame them. Macbeth is haunted by guilt, hearing voices cry "sleep no more!" Duncan's sons, Malcolm and Donalbain, flee, and Macbeth is crowned king.
- Act Three - Macbeth, fearing Banquo's prophecy, arranges for assassins to kill Banquo and his son Fleance. Banquo is murdered, but Fleance escapes. At a banquet, Macbeth is tormented by Banquo's ghost, revealing his paranoia to his lords. His rule becomes tyrannical.
- Act Four - Macbeth returns to the witches, who offer cryptic prophecies: beware Macduff, no man born of a woman will harm him, and he is safe until Birnam Wood moves to Dunsinane Hill. Macbeth orders Macduff's family slaughtered. Meanwhile, Malcolm gathers an army in England to reclaim the throne.
- Act Five - Lady Macbeth, consumed by guilt, sleepwalks and tries to wash imaginary blood from her hands. Malcolm's army, using branches from Birnam Wood as camouflage, advances on Dunsinane. Macbeth learns Macduff was not naturally born but "from his mother's womb / Untimely ripped" (born by caesarean). Macduff kills Macbeth, and Malcolm is crowned king, restoring order.
Character analysis
Macbeth
Macbeth is a Scottish general and the play's tragic hero, whose ambition leads him from loyalty to tyranny.
Initial presentation:
At the start, Macbeth is a valiant warrior, described as "Bellona's bridegroom" (the husband of the war goddess), showing his bravery. His loyalty to King Duncan is clear until the witches' prophecy awakens his ambition.
Development and downfall:
Macbeth's inner conflict is evident when he hesitates, calling his desire a "vaulting ambition, which o'erleaps itself". After Duncan's murder, guilt torments him ("Will all great Neptune's ocean wash this blood / Clean from my hand?"), yet he becomes increasingly ruthless, ordering Banquo's death. His final defiance ("I will not yield") shows courage, but his ambition has destroyed him.
Lady Macbeth
Lady Macbeth is Macbeth's ambitious wife, who pushes him towards murder but later succumbs to guilt.
Initial presentation:
She is fiercely determined, praying to spirits to "unsex me here" and strip her of feminine weakness. Her strength contrasts with Macbeth's hesitation as she urges him to act ("When you durst do it, then you were a man").
Development and collapse:
Lady Macbeth initially seems unshakable, but guilt overwhelms her. In Act 5, her sleepwalking scene reveals her torment as she mutters "Out, damned spot!" while imagining blood on her hands. Her eventual death (implied suicide) shows the cost of her ambition.
Banquo
Banquo is Macbeth's friend and fellow general, who serves as a moral contrast to Macbeth.
Characterisation and function:
Banquo also hears the witches' prophecy but does not act on it, showing restraint. His suspicion of Macbeth ("Thou hast it now... and I fear / Thou played'st most foully for't") highlights his honour. His murder marks Macbeth's descent into tyranny, and his ghost symbolises Macbeth's guilt.
The Witches
The three witches, or Weird Sisters, are supernatural beings who influence Macbeth with their prophecies.
Function in the play:
They ignite Macbeth's ambition with predictions like "Thou shalt be king hereafter!" Their ambiguous words ("Fair is foul, and foul is fair") create confusion and suggest a world of moral chaos. They represent external temptation, though Macbeth chooses to act on their words.
Macduff
Macduff is a Scottish nobleman who opposes Macbeth and ultimately restores order.
Function in the play:
Macduff's loyalty to Scotland contrasts with Macbeth's betrayal. His grief over his murdered family fuels his resolve. His birth by caesarean ("untimely ripped") allows him to kill Macbeth, fulfilling the prophecy and avenging Duncan.
Theme analysis
Ambition
Ambition is the driving force of the play, shown as a dangerous trait when unchecked by morality.
How the theme develops:
- The witches' prophecy sparks Macbeth's desire for power
- Lady Macbeth's ambition pushes him beyond hesitation to murder
- Ambition corrupts Macbeth, turning him from hero to tyrant
- His downfall warns against overreaching, a concern for Jacobean audiences fearing social upheaval
- Macbeth's line "vaulting ambition, which o'erleaps itself" shows he recognises the danger but cannot stop
Guilt and conscience
Guilt haunts the characters, showing the psychological cost of evil actions.
How the theme develops:
- Macbeth's guilt appears immediately after Duncan's murder with hallucinations ("Is this a dagger which I see before me?")
- He cannot escape remorse, seeing Banquo's ghost at the banquet
- Lady Macbeth's sleepwalking reveals her buried guilt ("Here's the smell of the blood still")
- Guilt isolates them, destroying their peace and leading to madness and death
- It suggests that moral order cannot be fully suppressed, even by the powerful
The supernatural
The supernatural elements create an atmosphere of fear and moral ambiguity.
How the theme develops:
- The witches introduce chaos with prophecies that tempt Macbeth
- Their riddles, like "no man of woman born" shall harm him, mislead through ambiguity
- Apparitions and hallucinations (the dagger, Banquo's ghost) blur reality and madness
- Reflects Jacobean fascination with witchcraft as a real threat
- Suggests a world where evil forces can influence human actions, though choice remains key
Order and chaos
The play explores how ambition and betrayal disrupt natural order, a key Jacobean concern.
How the theme develops:
- Duncan's murder violates the divine right of kings, plunging Scotland into chaos
- Nature itself rebels: storms rage, horses eat each other, and day turns to night
- Macbeth's tyranny contrasts with Duncan's benevolent rule
- Order is restored only when Malcolm, the rightful heir, takes the throne
- Shows that violating hierarchy has catastrophic consequences
Shakespeare's methods
Language and imagery
Shakespeare uses vivid language and recurring imagery to reinforce the play's dark tone and themes.
Key imagery:
- Blood - Represents guilt and violence; Macbeth fears no ocean can "wash this blood / Clean from my hand"
- Darkness - Symbolises evil and chaos; Macbeth calls on night to hide his "black and deep desires"
- Sleep - Represents peace and innocence, lost after murder; Macbeth hears "sleep no more!"
- Nature - Disrupted nature (storms, unnatural animal behaviour) mirrors the kingdom's chaos
Soliloquies
Soliloquies reveal characters' inner thoughts, driving the psychological depth of the tragedy.
Key examples:
- Macbeth's "Is this a dagger" speech (Act 2, Scene 1) shows his hesitation and hallucination before Duncan's murder
- Lady Macbeth's "unsex me here" speech (Act 1, Scene 5) reveals her ruthless ambition and desire to shed weakness
- Macbeth's "Tomorrow, and tomorrow, and tomorrow" speech (Act 5, Scene 5) expresses despair and the futility of life after Lady Macbeth's death
Symbolism
Symbols deepen the play's meaning and connect to its themes.
Key symbols:
- The witches - Represent temptation and chaos, undermining moral certainty
- The dagger - Symbolises Macbeth's guilt and mental turmoil before the murder
- Banquo's ghost - Embodies Macbeth's conscience and the inescapable past
- Birnam Wood - Represents the deceptive nature of prophecy and the inevitable fall of Macbeth
Dramatic structure
The five-act structure builds tension and traces Macbeth's moral decline.
Structural effects:
- Act 1 introduces ambition through the witches' prophecy
- Act 2 marks the point of no return with Duncan's murder
- Act 3 shows Macbeth's growing paranoia with Banquo's murder
- Act 4 escalates the supernatural with new prophecies and violence against Macduff's family
- Act 5 resolves the tragedy with Macbeth's defeat and the restoration of order
Key quotations summary
| Quotation | Speaker/context | Significance |
|---|---|---|
| "Fair is foul, and foul is fair" | Witches, Act 1 Scene 1 | Sets tone of moral confusion; things are not as they seem |
| "Thou shalt be king hereafter!" | Witches to Macbeth, Act 1 Scene 3 | Ignites Macbeth's ambition; starts his tragic journey |
| "Stars, hide your fires; / Let not light see my black and deep desires" | Macbeth, Act 1 Scene 4 | Reveals his dark ambition; darkness hides evil |
| "Come, you spirits / That tend on mortal thoughts, unsex me here" | Lady Macbeth, Act 1 Scene 5 | Shows her ruthless ambition; rejects feminine weakness |
| "Vaulting ambition, which o'erleaps itself / And falls on th'other" | Macbeth, Act 1 Scene 7 | Recognises ambition as dangerous; foreshadows his fall |
| "Is this a dagger which I see before me?" | Macbeth, Act 2 Scene 1 | Hallucination shows guilt and hesitation before murder |
| "Will all great Neptune's ocean wash this blood / Clean from my hand?" | Macbeth, Act 2 Scene 2 | Blood imagery; guilt cannot be erased |
| "Out, damned spot! Out, I say!" | Lady Macbeth, Act 5 Scene 1 | Guilt drives her madness; blood as inescapable stain |
| "Tomorrow, and tomorrow, and tomorrow" | Macbeth, Act 5 Scene 5 | Despair after Lady Macbeth's death; life feels meaningless |
| "Macduff was from his mother's womb / Untimely ripped" | Macduff, Act 5 Scene 8 | Fulfils prophecy; Macbeth's doom through a technicality |