2.6 - Jane Bennet Quotes
Quote overview table
| Quote | Where it appears | Theme | Significance |
|---|---|---|---|
| "Oh! you are a great deal too apt..." | Chapter 4 | Love | Highlights Jane's optimistic view of others, which masks her deeper emotions |
| "To take the good of everybody's character..." | Chapter 4 | Marriage | Shows Jane's reserved kindness, complicating her romantic prospects |
| "You are too good. Your sweetness and..." | Chapter 24 | Social class | Emphasises Jane's selflessness amid disappointment, reflecting class expectations |
| "Dear, dear Lizzy. A house in town!..." | Chapter 59 | Reputation | Contrasts Jane's quiet joy with family exuberance, resolving her arc |
"Oh! you are a great deal too apt..."
Quote
"Oh! you are a great deal too apt, you know, to like people in general. You never see a fault in anybody. All the world are good and agreeable in your eyes." (Chapter 4)
Context
Elizabeth speaks this to Jane during a sisterly conversation about their impressions of new acquaintances, including the Bingleys, establishing Jane's positive outlook early in the narrative.
Analysis
- Character development/transformation shown - Reveals Jane's gentle optimism as a core trait that evolves into quiet resilience when facing romantic setbacks
- Literary techniques employed by author - Uses exclamatory interjection ("Oh!") and parallel structure ("good and agreeable") to convey affectionate teasing while emphasising Jane's unwavering positivity
- Symbolism, foreshadowing, or imagery significance - The imagery of faultless vision symbolises Jane's idealistic lens, foreshadowing how it leads to misread social cues
- Connection to broader themes - Ties into themes of perception through the syntax of balanced clauses, showing how her outlook influences interpersonal dynamics
- Contextual importance within narrative structure if relevant - Positions this early to build contrast with later conflicts, using dialogue to advance character exposition
"To take the good of everybody's character..."
Quote
"To take the good of everybody's character and make it still better, and say nothing of the bad-belongs to you alone." (Chapter 4)
Context
Elizabeth describes Jane's disposition while discussing Charlotte Lucas and social interactions, highlighting Jane's unique approach during the developing courtship with Bingley.
Analysis
- Character development/transformation shown - Demonstrates Jane's reserved kindness as a consistent quality that deepens her emotional depth without overt expression
- Literary techniques employed by author - Employs parallel infinitive phrases ("to take... and make... and say") for rhythmic emphasis, underscoring her singular virtue through Elizabeth's admiring tone
- Symbolism, foreshadowing, or imagery significance - The dash creates a pause that symbolises Jane's silence on negativity, foreshadowing her restrained response to rejection
- Connection to broader themes - Links to social harmony via the emphatic "belongs to you alone," using syntax to isolate her trait in a judgmental society
- Contextual importance within narrative structure if relevant - Serves as rising action, building irony through dialogue that contrasts with impending misunderstandings
"You are too good. Your sweetness and..."
Quote
"You are too good. Your sweetness and disinterestedness are really angelic." (Chapter 24)
Context
Elizabeth praises Jane after learning of Bingley's apparent abandonment, as Jane responds to her disappointment with composure and without bitterness.
Analysis
- Character development/transformation shown - Illustrates Jane's transformation from naive optimism to dignified endurance, maintaining her gentle core amid hardship
- Literary techniques employed by author - Features superlative adjectives ("too good," "really angelic") and abstract nouns ("sweetness and disinterestedness") to elevate her character through hyperbolic praise
- Symbolism, foreshadowing, or imagery significance - Angelic imagery symbolises purity, foreshadowing her eventual reward while highlighting vulnerability in a pragmatic world
- Connection to broader themes - Connects to moral integrity via short, exclamatory sentences that emphasise selfless restraint
- Contextual importance within narrative structure if relevant - Marks a turning point in the plot, using intimate dialogue to heighten emotional stakes before resolution
"Dear, dear Lizzy. A house in town!..."
Quote
"Dear, dear Lizzy. A house in town! Every thing that is charming! Three daughters married! Ten thousand a year! Oh, Lord! What will become of me. I shall go distracted." (Chapter 59)
Context
Mrs Bennet exclaims this upon Jane's engagement to Bingley, with Jane herself showing quiet happiness in the background, marking the resolution of her romantic storyline.
Analysis
- Character development/transformation shown - Culminates Jane's arc from reserved sufferer to fulfilled partner, her minimal words contrasting with family noise to show matured composure
- Literary techniques employed by author - Utilises exclamatory fragments and repetition ("dear, dear") for comedic chaos, indirectly spotlighting Jane's calm through absence of her voice
- Symbolism, foreshadowing, or imagery significance - The list of material gains symbolises societal rewards, with "charming" imagery reflecting Jane's gentle allure that secures her match
- Connection to broader themes - Relates to marital success via fragmented syntax mimicking excitement, underscoring how her restraint leads to positive outcomes
- Contextual importance within narrative structure if relevant - Functions in the denouement, resolving tensions through satirical dialogue that affirms Jane's quiet triumph
Example analysis paragraph
Quote used: "To take the good of everybody's character and make it still better, and say nothing of the bad-belongs to you alone." (Chapter 6)
Grade 9 PEE paragraph
Point
- Austen employs balanced infinitive phrases and emphatic isolation to portray Jane's reserved kindness as a unique virtue that both elevates her morally and exposes her to romantic misjudgements.
Evidence
- "To take the good of everybody's character and make it still better, and say nothing of the bad-belongs to you alone."
Explanation
- The parallel structure of the infinitives creates a rhythmic harmony that mirrors Jane's harmonious worldview, with the dash introducing a dramatic pause to emphasise her singularity in a flawed society.
- This syntactic choice reveals Austen's authorial intent to critique Regency restraint, as the superlative "alone" suggests isolation, inviting interpretations of Jane as either ideally virtuous or naively vulnerable.
- Broader contextual links to Georgian gender norms show how such language techniques reinforce women's expected selflessness, deepening the novel's satirical edge.
Grade 7 PEE paragraph
Point
- Through parallel phrasing and emphatic language, Austen highlights Jane's gentle optimism as a defining trait that shapes her interactions.
Evidence
- "To take the good of everybody's character and make it still better, and say nothing of the bad-belongs to you alone."
Explanation
- The repeated infinitives build a sense of balance, showing how Jane focuses on positives while the dash separates her from others, emphasising her unique kindness.
- This technique conveys Austen's purpose in contrasting characters, with "alone" underscoring her isolation in expressing emotions.
- Overall, it develops Jane's reserved nature, contributing to plot tensions around misunderstandings.
Grade 5 PEE paragraph
Point
- Austen uses repeated phrases to show Jane's kind and positive way of seeing people.
Evidence
- "To take the good of everybody's character and make it still better, and say nothing of the bad-belongs to you alone."
Explanation
- The list of actions like "take the good" and "say nothing of the bad" explains her gentle character simply.
- Words like "alone" make her stand out as special in the story.